Oboe Reed suppliers my students are using


Happy Thursday Reader,

I tried so hard to get this newsletter out earlier in the week… but I’m here now! This email was intended to be super short and easy, but then I realized that you don’t just want links. That’s not hard, you want to know WHY my students use these reeds, and what I think of them.

It’s so hard to know where to get good reeds from, partially because what makes a reed comfortable is so subjective, and partially because students have different preferences!

So, here are the top 6 reed sources that my students enjoy right now:

1. Bocal Majority, Intermediate reeds. These reeds come in different letters which correspond loosely with different hardnesses. Each letter is made by a different reedmaker, so students usually try at least 2 different letters before deciding to stick with one.

PROS:

  • Quick shipping!
  • Affordably priced
  • Can customize the reed by adding a little sticker for no or small additional fee. This makes it easy to tell the reeds apart.

CONS:

  • Quickly manufactured, so often are not perfectly in tune.
  • Sometimes they go out of stock


2. Oboe Duck Reeds, student reed. These reeds are made by one reedmaker, who takes great care in tuning them well. I find they’re a good step-up from Bocal Majority reeds for students who want a more complex tone color, and more reliable tuning. They are intermediate level reeds for sure, I would not recommend them for students who have been playing for less than 2 years.

PROS:

  • Reliably in tune
  • Dark, complex tone color
  • Carefully crafted by a detail-oriented maker

CONS:

  • Frequently out of stock
  • Orders take 3-4 weeks to ship
  • Higher price point
  • Customizing thread color costs extra


3. Bennet Lopez, entry level reeds. These reeds are made by an oboist who lives in LA. They are good quality and nicely in tune, and are quite consistent from reed to reed.

PROS:

  • Consistent hardness, in tune out of the box!
  • Orders tend to ship quickly.

CONS:

  • Higher price point

4. Forrest Music, RSB reeds. These reeds are made by a Bay-Area oboist and freelancer. They’re good quality and nicely in tune. They are quite consistent from reed to reed.

PROS:

  • Made in the Bay Area, so they don’t change much due to climate factors.
  • Reasonably priced for high quality reeds.
  • Reliably in tune and quite consistent from one batch to the next.

CONS:

  • Often out of stock or on back order.
  • Orders may take 3-4 weeks to ship.

5. Forrest Music, Green label reeds. These reeds are made by different reedmakers, but can be good options for students who need a reed fast! Green label reeds are made on a profiler, but with more attention to detail than Jones, Emerald, or Marlin Lesher reeds, so most come in tune and able to play, perfect for a beginner!

PROS:

  • Reasonably priced
  • Most reeds come in tune and able to play out of the box.

CONS:

  • A percentage of these reeds will be flat out of the box.
  • Occasionally unavailable or on back-order.
  • There are some inconsistencies because the reeds are made on a profiler rather than fully hand scraped.

6. Singin’ Dog, oboe reed (classic). These reeds are made fairly quickly with a lot of cane taken out of the reed. They vibrate really well out of the box, and are great for beginners, and students who don’t practice very much.

PROS:

  • Reasonably priced
  • Play right out of the box, mostly in tune.

CONS:

  • Reeds are on the softer side of the hardness levels.
  • Reeds have less complex tone color for more advanced players, and it can be difficult to get great dynamic range.

That's the list! Congratulations if you got to the bottom of this very long list. I hope that it helps you guide your oboe students to reeds that work for them!

Have a great weekend,

Alli


Hey, %FIRSTNAME%, Do you have any burning questions about teaching oboe? Reply to this email and ask! I'd love to answer your questions in my next newsletter.

Alli Gessner

Oboe 101 is written weekly for oboists, family of oboists, and educators. The Newsletter brings you a weekly dose of advice on playing oboe with resources, links, exercises, tips, and more!

Read more from Alli Gessner

Hey Reader, Last week I hosted an oboe repair workshop with Sean Gumin, a local San Jose oboe repair technician. I met Sean when I first moved to the area when I was having a terrible time getting my top joint in adjustment myself. Since then, he’s my go-to guy for last minute repairs and my student’s instruments. I like to think that I know a lot about oboe care and maintenance, but there are some things that he spoke about that were totally new to me, so this newsletter shares that...

Hey Reader, The school year is really hurtling to an end for me this year, which is why I’m a week late with this newsletter. Amidst the frantic pace of end-of-year wrap ups with students, last reed orders to finish before the summer, and onboarding to a new lesson scheduling platform, I just didn’t have it in me to come up with anything interesting to write about. (The burnout is strong!) I’ve also been struggling to find the willpower to sit down and practice. I’m not sharing this as a way...

Hey Reader, This past weekend was my spring semester Studio Recital. About a third of my students were able to play, which is lower than typical. It turned out that there was a middle school adjudication event at the same time and a handful of students were participating in that. The result was that the recital was largely full of quite advanced students (mostly high school age), so the playing level was high. One of the themes that emerged in the two weeks leading to the recital was the...